- Mutants and Masterminds
- Wraith: The Oblivion
- Aeon limited edition
- Star Wars Core Rulebook (dhampyresa, do you want this? I'm happy to send it to you--it's Wizards of the Coast's d20 system)
- Mage: The Ascension (we may already have this BUT I DON'T CARE)
- Changeling Storyteller's Guide (now I just have to find the core book for Changeling)
- Wraith Player's Guide
- Battlefleet Gothic 2002 Annual (I looooooooove the aesthetic of the Battlefleet Gothic miniatures and am sorry I only own one, which is still unassembled in its blister pack)
- Earthdawn (I used to own this before my stepmother threw it out)
- Ars Magica (ditto)
- and a stray issue of Playboy July 1995 because it was sitting there lonely and I am easily amused
PLEASE, VAN, CONTINUE ACQUIRING AND SELLING USED RPGs. I WILL COME BUY THEM!!!
This is like Christmas.
My fic lives here.
Since then I have made a point of reading books on game design when I can find them, and the occasional article on the web. While I have released a couple of small interactive fiction games (IFs) and the narrative game Winterstrike (Failbetter Games), I don't really consider myself a game designer. It's more in the nature of something I do on the side because I find it illuminating to consider alternate ways to approaching narrative; I think primarily as a writer of static fiction. And for the purposes of the hexarchate, it's research because I decided that one of the factions (the Shuos) abuses game design techniques in their pedagogy, and one of the characters (Jedao) is a gamer.
The Kobold Guide to Board Game Design, ed. Mike Selinker, is a collection of essays by various designers. I was originally going to read the book through and do a report on the book overall, but I liked the essays enough to do individual reports on some of them. ( cut for length )
Thank you to the person who donated this book!
Prompt: "ghost consciousness."
The house had lain ruined for decades upon decades, quiescent at the edge of the town. Once, it was said, a fine family had dwelled there, wealthy at first, much given to parties and entertainments. The oldest people in the town still remembered the parties: the music of string quartets, and cakes decorated with spun-sugar ornaments, and couples dancing gaily through the night. But now none of the windows had glass in them anymore, save for a few sharded teeth, and the wind blew freely through the rooms where people had once gathered to gossip.
Nevertheless, the house was not entirely uninhabited. A ghost remained attached to the house, and it murmured to itself during the long winter nights, singing tuneless ghost-songs of the shapes that shadows make in the dark, and the sounds that mirrors make when no one is around to hear them, and footsteps in the distant wood. The ghost did not remember the name of the person it had been, once upon a time, but neither did this make it unhappy.
In time a pregnant cat moved into the house for the shelter it offered. The ghost did not remember much about cats, except that they liked cream, and it had no such thing to give the cat. But it had other things to offer. It encouraged the old closets to throw their doors open and disgorge their rotted linens so that the cat would have something to nest in, and it offered all house's hiding places, as well as the lullaby of the crooning wind.
For her part, the cat was a pragmatist. She did not share human prejudices against ghosts, and a ruined house was as good as any other place for her to raise kittens. She merely made sure that there were no raccoons or the like already occupying the place, and then she set to building her nest in earnest.
Cats are not the most talkative of folk, but this cat was friendlier than most. She asked the ghost why it lingered in the house, instead of going to its rest the way humans usually did. While she didn't always put credence in human stories, she had heard that ghosts usually stayed in the realm of the living because they had left some task unfinished.
The ghost said to the cat, "The only task is the task of the house itself. It was my home when I lived, and it remains my home in death."
"Then I am sorry I cannot help you," the cat said, dismayed in spite of the very pressing matter of the kittens she expected to arrive in a matter of days. "A human could help you restore the house, but I am a cat. I may have clever paws and whiskers, but they are no good for building."
The ghost's laughter gusted through the house, although it tried to keep the worst of the cold from the cat. "What do I care about restoration?" it said. "Perhaps once, when I had flesh, it would have mattered to me. But now I am a creature of shadows and dust and ash, and this house suits what I am now. I can keep it safe for you and your kittens. They can play in the house's halls and grow to adulthood without fear of being chased out by human owners; is that not enough?"
"If that is the case," the cat replied, "I shall gratefully accept your hospitality, and my kittens and I will keep your house free of mice."
"It is a very old bargain," the ghost said, "and if it suits you, it suits me."
Two days later, the kittens were born without fuss, or more fuss than the usual, anyway, and in the years to come, generations of cats made their home in the house. They probably live there still. As for the ghost, it has been busy adding the songs of cats to its repertoire. The result is noisy, but none of them mind.
Mom came up this weekend to go to one of the local art museums, which has an exhibition of paintings from a collection that focuses on the late 19th and early 20th centuries, including a lot of Impressionists. Alas, I am just not an Impressionist type of person. The painting I liked best was Alfred Sisley's Snow at Louveciennes, and that was because it reminded me of tramping through the snow in Arashiyama, Kyoto--the small hilly village, the snow, the feeling of cold in the air.
I pretty much spent the time Mom wasn't here playing Skyrim, and have come up with an actual motivation for Murderface 2.0! That shall wait for a real post. Let's just say it's petty and completely disproportionate to his actions.
I have discovered a brand of lactose-free yogurt and have been eating yogurt pretty steadily over the past few days thanks to antibiotic side effects, the less said about which the better. But plain yogurt with maple syrup is rather addictive.
And to end it all with, I now have another sore throat, which is much more obviously a respiratory-related thing than last week's was, and I am expecting to come down with a cold Any Moment Now, given my general run-down feeling right now. Alas. (I may be continuing to play Skyrim, in that case...)
Most recently, I found one scene and about 6 disconnected lines from a Raven Cycle fic idea I'd noted down after listening to books 1-3 on audio book a few weeks back. The scene was 218 words, so I hacked out 18 of them and posted it as a double drabble.
First Steps (200 words) by Flamebyrd
Fandom: Raven Cycle - Maggie Stiefvater
Rating: General Audiences
Warnings: No Archive Warnings Apply
Relationships: Noah Czerny & Richard Gansey III
Characters: Noah Czerny, Richard Gansey III, Ronan Lynch
Additional Tags: Sadness, Ghosts, Double Drabble, Pre-Canon
Summary: Noah becomes Richard Gansey III's friend outside the gates of Aglionby on an otherwise unremarkable afternoon.
I was attracted to Replica because clones and faux!amnesia are bulletproof narrative kinks for me. You have to work to foul those up for me. Here's the back cover copy:
Sixteen-year-old Nadia Lake's marriage has been arranged with the most powerful family in the Corporate States. She lives a life of privilege, even if she has to put up with paparazzi tracking her every move, every detail of her private life tabloid fodder. But her future is assured, as long as she can maintain her flawless public image--no easy feat when your betrothed is a notorious playboy.
Nathaniel Hayes is the heir to the company that pioneered human replication: a technology that every state and every country in the world would kill to have. Except he's more interested in sneaking around the seedy underbelly of the state formerly known as New York than he is in learning to run his future company or courting his bride-to-be. She's not exactly his type...not that he can tell anyone that.
But then Nate turns up dead, and Nadia was the last person to see him alive.
When the new Nate wakes up in the replication tanks, he knows he must have died, but with a memory that only reaches to his last memory backup, he doesn't know what--or rather, who--killed him.
Together, Nadia and Nate must discover what really happened without revealing the secrets that those who run their world would kill to protect.
What's good: there's a lot packed into the premise. Nadia is genteelly raised, but far from spineless, and easy to sympathize with. Nate is a closeted gay man in a social class of a future society that strongly discourages homosexuality, and one of his major motivations is to protect his lower-class lover. And Nadia and Nate's friendship with its ups and downs is believable.
Neutral: the Executive class of elites allows women to inherit, but there's a behavioral double standard as to what men and women can get away with, which is why Nadia has to watch her every move so she doesn't cause scandals while Nate can act out all he wants. The narrative states that this is some kind of throwback to the nineteenth century (Western, presumably?). There isn't much explanation given for how this developed, but I've seen sillier setups in sf so I was willing to go along with it.
What's less good, without going into spoilers: As far as I can tell, the entire named cast minus one character (Chloe, a friend of Nadia's) is white. There is lip-service paid to Chloe feeling like an outcast because she's black, and then Chloe is very rapidly shuffled off-stage and we never hear from her again.
That's not actually my biggest complaint about the novel. My biggest complaint about the novel is that it has a lot of tense action and still never manages to punch hard enough. And I don't mean this in the social justice sense of punching down or sideways or diagonally or whateverthehell. I mean this in terms of narrative impact on the reader.
I can't discuss further without spoiling the whole thing, and I am really frustrated by the fact that this fairly good novel could have taken my favorite tropes and done them even better, so let's have a spoiler cut: ( Read more... )
The Exchange at Fic Corner is a gift exchange for fic based on children's and YA books and short stories from picture books to edgy teen novels. The FAQ can be found on Dreamwidth (and I think on LJ still).
So I had these dates ALL WRONG:
June 18th - June 27th - Sign-Ups
June 28th - Assignments Sent Out
August 21st - Deadline for Stories
August 28th - Collection Goes Live (Hmm, I need to ask the mod - it looks like they changed that date ... sometime the first week of September, at any rate)
Tag Set (on AO3)
Sign Up Form (on AO3)
Good timing for a Yuletide warmup, perhaps?
Moana reminded me in turns of Hercules (Maui and Herc would get along great -- and so would his tattoos and the Muses!) and Mulan and Lilo & Stitch -- not coincidentally, some of my favorite Disney movies. I wasn't too crazy about all the songs (god, the crab song when on way too long), but Moana had a lot of heart to it, which I thought was kind of missing from the last new Disney movie I've seen -- Frozen.
Anyway, as the very last person to see Moana, it was great! The scene of her ancestors voyaging across the ocean -- and then her doing it too -- really touched me. I hope Disney gives us more diverse princesses (or chief's daughters, in any case) in the future. It was really a lot of fun.
There was a meme on Twitter that asked for your top three Disney songs, and I ended up picking 2/3 songs from when I was coming up, during the Disney Renaissance (and a bit after.) My choices were Aladdin's "A Whole New World", The Little Mermaid's "Part of Your World" and Mulan's "Be A Man." What about you?
Now I have version 3 of some sort of bug bite balm cooling on the counter - it uses coconut oil, which I don't really like the smell of, so hopefully the tea tree oil, peppermint, lemongrass, and lavender essential oils will cover that up. Though I would bear the smell if it meant the itching stopped.
I know I said I was done with trying to make anti-itch cream - hot water, ice, and rubbing alcohol in conjunction with benadryl and zyrtec seem to work best, tbh - but I figured third time's the charm? And I had all the ingredients so...I guess we'll see. Or maybe I am just super itchy, since i am super allergic to bites and swell up and get all welty.
I guess that's all the exciting news from here.
The hexarchate is a star-spanning polity of monstrosities small and great, where consensus reality is enforced not just by a rigid police state but by the ritual torture of "heretics" on state holidays. Lately it is not just wracked by internal dissent but by the discovery of rifts in time and space through which people from other worlds appear.
You are one of a hardy group of people--whether from the hexarchate (or heptarchate) itself, a foreign state, or another world in the multiverse entirely--who have gathered with the explicit goal of destroying the hexarchate by going back in time and preventing its creation, or otherwise seeding its destruction.
The question is, can you succeed before the hexarchate's agents catch on and eliminate you?
Interested? See the write-up for the guidelines and the character application! Hope to see some of y'all.